WHAT I BUILD

Concept Trailers

A cinematic trailer for a film, series, or pilot that hasn't been shot yet. Full score, titles, finished master. For producers and creators who need people to see it before anyone writes a check.

Most pitch trailers get cut from clips of other people's movies. They work in a room and nowhere else, because you can't legally post one. Every frame of yours is original and generated for your story, so the trailer can go anywhere: a pitch meeting, a crowdfunding page, a festival submission, your investors' inboxes.

Thirty years of directing and editing, built with AI image and video generation. That combination is what makes a trailer possible for a film that doesn't exist yet, at a fraction of what a proof-of-concept shoot would cost. Watch Example

Reality TV and Pilots

Pilots, sizzle reels, and proof-of-concept episodes for unscripted series. I produced and edited Called Out, a reality pilot built to pitch the show to networks and backers. Watch Example

Broadcast Openings and Promos

Title sequences, show opens, and event promos. Built for conferences, ministries, networks, and anyone whose audience shows up on a date. Watch Examples

Stage and Concert Visuals

Cinematic loops and animated backdrops that play behind live performance. Built for artists, venues, and touring acts. Watch Example

Commercials and Music Videos

Thirty years of both, delivered on a modern schedule. See the Work

WHY IT WORKS

Most high-end video production is too slow. Most AI video is too amateur. I bridge the gap.

Three decades behind the camera.
Broadcast, reality television, commercials, music videos. I held the on-air identity for a global ministry reaching millions of households for over a decade.

Weeks, not months.
A full concept trailer with original score and titles, start to finish, in about a month. A traditional production house quotes three.

No agency layers.
You work with the director. Not an account manager, not a project coordinator, not a junior editor. Me.

You see the look before the work begins.
Every project starts with style frames. You approve the visual direction, or we change it, before a single frame gets animated. Nobody gets four weeks in and discovers we wanted different things.

Modern tools, old-school direction.
I use AI where it earns its place and traditional production where it doesn't. The client gets the result either way.

HOW IT WORKS

1. The Brief
You tell me what you need, where it runs, and your budget. I come back with scope and a fixed price. No hourly billing, no surprises.

2. Look Development
Style frames first. You approve the visual direction before production starts.

3. Production
I direct, produce, score, and edit. You get progress along the way, not silence followed by a reveal.

4. Delivery
Finished master in the formats you need. Revisions are built into the scope, not sold back to you later.

WHAT CLIENTS SAY

“If you want to see your vision come to life, look no further Greg Dollar makes it happen. My show was a success because of his attention to detail when it came to creating my video synced to my music.”

Jeff Sparks, Artist and CEO, Sparks Touring

"Greg's focus and attention to detail in his craft is one of a kind. It's just what I needed for my projects."

Harlen Ernest, AneuSOUL Productions

“Gregory created my Concept Trailer with AI to create interest in my upcoming film. He is a sincere believer who does quality work!”

Susan Salganek, Tell My People Media

BEYOND CLIENT WORK

Client work built my discipline. Personal projects reveal my conviction.

A reality series about belief and common ground. A memoir becoming a book and a film. Music with my wife. Work built to outlive me.

Read the Story

START A PROJECT

Tell me what you need built, where it will run, and your budget range. I personally read every submission and respond within 24 to 48 hours.

Most projects fall between $3,500 and $25,000, depending on length, scope, and timeline.